Tout-Monde Festival, 2018

Edwidge Danticat and Michael Dash on Glissant. Tout-Monde Festival, March 1-4, 2018 at Pérez Art Museum.

27:42 Le lieu et l’espace. Place and space.

30:10 For Glissant, it was a totalité non-totalisable, that is, you know that the world is a totality, but you could not totalized it. And this where we get to the question of resisting philosophical thought …philosophical thought would attempt to totalize the world, that is to give it some kind of universal structure, organized in some sort of way.

Relational Undercurrents: Contemporary Art of the Caribbean Archipelago at FIU

Relational Undercurrents: Contemporary Art of the Caribbean Archipelago is a major survey exhibition of twenty-first century art from islands throughout the Caribbean basin.

On view, at The Patricia & Phillip Frost Art Museum, Saturday, October 13, 2018 through Sunday, January 13, 2019. Curated by Tatiana Flores, Associate Professor of Art History and Latino and Caribbean Studies at Rutgers University. Organized by: Museum of Latin American Art in Long Beach, California.
 
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Beatriz Santiago Muñoz, “Matrulla,” 2014, Digital video, 6:30 minutes, Courtesy of the artist and Galeria Agustina Ferreyra.

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Didier William, “Dancing Pouring, Crackling and Mourning,” 2015, Mixed media on wood, 60 x 48 inches, Courtesy of the Robert and Frances Coulborn Kohler Collection.

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Deborah Jack, Evidence 19 from the series Our Tears Were Reborn As…, 2009-2011, Digital print on aluminum, 28 x 42 inches, Courtesy of the artist.

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Jeannette Ehlers, Black Bullets, 2012, Video, 5:05 minutes, Courtesy of the artist.


Views of the part of the show at the Wallach Art Gallery at Columbia University.


Flores and Scherezade Garcia at LA Art Show.

Catalogue. Artishock. LATimes. Hyperallergic. Recent review in X-TRA.

Screenshot_2018-10-13 Relational Undercurrents