Category: art

  • Relational Undercurrents: Contemporary Art of the Caribbean Archipelago

    Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, curated by Tatiana Flores, is MOLAA’s Pacific Standard Time: LA/LA exhibition.

    It is a major survey exhibition of twenty-first century art of the Caribbean that employs the archipelago as an analytical framework. The exhibition is divided into four thematic sections: Conceptual Mappings, Perpetual Horizons, Landscape Ecologies and Representational Acts and features over 80 artists with roots in Haiti, the Dominican Republic, Cuba, Puerto Rico, Curaçao, Aruba, St. Maarten, St. Martin, Martinique, Guadeloupe, Trinidad, Jamaica, The Bahamas, Barbados, and St. Vincent whose works have informed and shaped those themes.

    The exhibition includes painting, installation art, sculpture, photography, video, and performance.

    Relational_Undercurrents_Contemporary_Art_of_the_Caribbean_Archipelago_-_MOLAA_MOLAA-2017-10-01_14.14

    #relationalundercurrents opening with: Charlene Smith, Kishan Munroe,Kimberley King-Burns @molaaart @pstinla @kishanmunroe #caribbeanart #bahamas

    A post shared by Dave Smith (@davesmith_artist) on

    Antillas by Engel Leonardo in Relational Undercurrents: Contemporary Art of the Caribbean Archipelago at MOLAA for PST: LA/LA #engelleonardo @molaaart @pstinla #relationalundercurrents #pstlala #pstinla #caribbeanart #artecaribeño #contemporaryart #contemporarydesign #antillas #caribbeanlandscape #caribbeannature #dominicanart #artedominicano #antillas #antilles

    A post shared by @tatigrams on

  • Deployed, Conditional, and Limited Utopia

    Some installation views of the exhibition at David Castillo Gallery, until November 21.

    AG2017-DCG-DCLU_1110142a

    AG2017-DCG-DCLU_1110157a

    AG2017-DCG-DCLU_1110159a

    AG2017-DCG-DCLU_1110148a

    AG2017-DCG-DCLU_1110170a

    AG2017-DCG-DCLU_1110171a

    AG2017-DCG-DCLU_1110184a

    AG2017-DCG-DCLU_1110203a

    AG2017-DCG-DCLU_1110201a

    AG2017-DCG-DCLU_1110232a

    AG2017-DCG-DCLU_1110238a 1

    AG2017-DCG-DCLU_1110195a

    AG2017-DCG-DCLU_1110160a

    AG2017-DCG-DCLU_1110164a 1

  • [Press Release] Adler Guerrier: Deployed, Conditional, & Limited Utopia

    Adler Guerrier: Deployed, Conditional, and Limited Utopia
    September 28 – November 21, 2017
    Opening Reception, Thursday, September 28th, 6 – 9 PM

    David Castillo Gallery presents Deployed, Conditional, and Limited Utopia, a solo exhibition by Adler Guerrier.

    Deployed, Conditional, and Limited Utopia builds a visual topography of the urban, subtropical conditions of Miami, reflecting upon these distinct environments as evidence of the cultural and political landscapes of the city. Human activity, and the turns of economic booms and busts, are insinuated throughout the works as artifacts-semi-manicured yards, chain link fences, power lines, pavement-hidden among rich vegetation; subjects that are treated as background. Guerrier, in many ways, plays the role of cultural cartographer, and the images themselves, physically folded, unfolded, and then displayed on the wall, have the look of maps laid out with landmarks noted in painted squares.

    The architectures of Guerrier’s images are weighted with the politics of place and the conditions which bear that space’s values and outcomes. Impasse becomes an evocative theme within this selection of works on paper and photographs, where barriers hinder movement and subjects are captured through the blurred foregrounds of covering leaves. A flowering plant growing up and over a wall trespasses upon the photographer’s space, and ideas of things hidden, and things breaking through, build upon a narrative of transformation, both urban and social. For Guerrier, these concepts are seeded by the ideologies of the American Civil Rights Movement, where Martin Luther King Jr. and Malcolm X reflected upon the possibilities of the present as a catalyst towards building better outcomes. In a public debate at the Oxford Student Union in 1964, Malcom X famously commented: “…I, for one, will join in with anyone-I don’t care what color you are-as long as you want to change this miserable condition that exists on this earth.”

    To deploy Utopia is to bring it into effective action. And in this body of work Guerrier treats the Utopian impulse as an extension of both built and natural environments. These notions are reflected in the writings of French philosopher Henri Lefebvre, who imagined space as socially co-created alongside its physical construction, and imprinted upon by the populations which share in its development. Architecture, in the context of Lefebvre’s work, is an intrinsically political apparatus, and Guerrier treats these sites as ideological spaces that can be socially reimagined and recontextualized in the same vein.

    The act of seeing, or acknowledging, can be revolutionary and transgressive; and in Deployed, Conditional, and Limited Utopia we see Guerrier’s gaze, how he witnesses and reinterprets Miami, home, and Utopia as the interconnected components in his personal concept of place. To look is everything; to see the possibility of these everyday, and sometimes degraded, sceneries is a first step in deploying action.

    Adler Guerrier was born in Port-au-Prince, Haiti and lives and works in Miami, FL where he received his BFA from New World School of the Arts. Current exhibitions of the artist’s work include Pacific Standard Time’s “Relational Undercurrents: Contemporary Art of the Caribbean Archipelago,” at MOLAA, Long Beach, CA. Recent exhibitions include Fondation Clement, Martinique, France; History Miami Museum; and Barnes Foundation “Person of the Crowd: Contemporary Art of Flanerie” among others. He was a 2015 recipient of an Andy Warhol Foundation grant through its re-granting program. Guerrier’s solo exhibitions include PAMM Miami (2015). He has exhibited work at Vizcaya Museum and Gardens, Miami, FL; The Bass Museum, Miami Beach, FL; Harn Museum of Art, Gainseville, FL; and the 2008 Whitney Biennial among many other exhibitions. His works can be found in public collections including ICA Miami, PAMM Miami, and the Studio Museum in Harlem among others.

    About David Castillo Gallery

    Follow us on Facebook, Twitter & Instagram

    David Castillo Gallery
    info@davidcastillogallery.com
    +1 305 573 8110 Telephone

    Home

    420 Lincoln Road
    Miami Beach, Florida 33139
    United States

  • AG2017-DCGDocument-091617dp27cacheofriches

    AG2017-DCGDocument-091617dp27cacheofriches

    Limited Utopia must hold cache of riches.

  • P1090716.MP4.Still001 or Le Vrai Bonheur

    P1090716.MP4.Still001
    Utopia, Limited!



    Artist: Les Gypsies De Petion-Ville Haiti
    Label: Kreyol Music, Inc. / The Orchard
    Label: IBO Records ?– ILP 164
    Date: 1972

  • Deployed, Conditional, and Limited Utopia

    AG2016_1060079a

    Upcoming at David Castillo Gallery .

  • Poinciana and dodecagon

    AG2017_1100770a

    Somehow greater than the sum of the parts; utopia.

  • Utopia

    Utopian projections are spatialized operators that offer possible transformations of place, perception and society. A flower bed at a writer’s residency in Thomassin can be such a site.

    _1000546

    Utopia by Thomas More, supplement by Ursula K. Le Guin, introduction by China Miéville.

    China Miéville: The Limits of Utopia – 2014 Nelson Institute Earth Day Conference

    Archaeologies of the Future : The Desire Called Utopia and Other Science Fictions by Fredric Jameson.
    Longevity as Class Struggle Part 2, Chapter 7

    [soundcloud url=”https://api.soundcloud.com/tracks/106294961″ params=”color=00aabb&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

    The Last Angel of History, produced by the Black Audio Film Collective, directed by John Akomfrah.

    Fredric Jameson makes the case that The Wire holds multiples utopian spatialized visions. 2015.

    Essay – Realism and Utopia in The Wire, Criticism, Vol 52, No 3-4, Summer/Fall 2010.
    Mirrored by Slavoj Žižek – The Wire or the clash of civilisations in one country, 2012; via progressivegeographies.com

    An American Utopia: Fredric Jameson in Conversation with Stanley Aronowitz, 2014.

    Hippie Modernism: The Struggle for Utopia, Walker Art Center. Review in Panomara.

    Utopia Is No Place: The Art and Politics of Impossible Futures, also at Walker.

    Gilbert & Sullivan – Utopia, Limited; or The Flowers of Progress, 1893. Libretto.


    The first 50 seconds is utopia.

    D’Oyly Carte Opera Chorus
    Royal Philharmonic Orchestra
    Conductor: Royston Nash
    Recorded in 1975

    Anahid Nersessian, Utopia, Limited: Romanticism and Adjustment (Harvard UP, 2015). Review.
    … formal and political practices of renunciation and self-containment.