Cape Honeysuckle in Watts, October 2017.
Category: art
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WAGENCY
Working Artists and the Greater Economy(W.A.G.E.) launches WAGENCY.
It turns out that an industry organized around profiting from unpaid labor requires more than a certification program to keep it in line – it requires artists to mobilize together as a workforce. WAGENCY is how we propose to collectivize our leverage and self-organize around the demand to be paid. We built WAGENCY for artists who need to earn money in order to survive, and who refuse to support a multi-billion dollar industry through their exploitation by it.
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Charles Green Shaw – Untitled #22
Charles Green Shaw
1892 – 1974
Untitled #22
signed Charles G. Shaw and dated April, 1940 (on the reverse)
oil on canvasboard
16 by 12 inches (40.6 by 30.5 cm)Provenance
Spanierman Modern, New York
Valerie Carberry Gallery, Chicago, Illinois
Acquired by the present owner from the above, 2013 -
Withstandley at Winslow Garage
Elizabeth Withstandley, “The Symphony of Names: No Man is an Island,” at Winslow Garage. In a collaboration with Icelandic composer Gunnar Másson, Withstandley has created a video installation that dwells on the nature of place and names: A boy travels through the Icelandic countryside as an audio track comprising all 4,129 names from the government names list serves as melodic backdrop.
Opens Sunday at 2 p.m. 3540 Winslow Dr., Silver Lake, Los Angeles, winslowgarage.com.
In the LATimes.
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Senga Nengudi, Studio performance with R.S.V.P.
“Studio performance with R.S.V.P.,” 1976, by Senga Nengudi, at Art + Practice. (Senga Nengudi / Thomas Erben Galley / Lévy Gorvy) via LA Times -
Todd Gray, Samita
“Samita,” 2018, by Todd Gray at Meliksetian Briggs. (Todd Gray / Meliksetian Briggs) via LA Times. -
La Tabacalera in Lavapies
La Tabacalera, currently houses el CSA (Centro Social Autogestionado); Promoción del Arte, el Museo Reina Sofía y la Colección de Arte Contemporáneo de las Américas, and in the future, Fundación Cisneros-Fontanals.
Lugares de Transito was presented there.
