You've got to dig to dig it, you dig?
Revisiting Los Angeles, image shot in October 2017. Exposition Park Rose Garden.
Related:
Teresita Fernández discusses her solo exhibition Maelstrom and the key topics it unravels in relation to its central theme: the enduring violence and devastation ignited by colonization in the Caribbean. The arist invites viewers to reconsider the region and the erasure of its past in order to develop a deeper understanding of place, identity, and history. Film by Rava Films. via Lehmann Maupin.
The Porch is the Tree is the Watering Hole will be open to the public on Thursdays and Saturdays from 11AM – 2PM starting Saturday, December 12 through May 29, 2021.
African American Research Library & Cultural Center
2650 NW 6th Street, Fort Lauderdale.
Viewed through the lenses of art, architecture, photography, and poetry, The Porch is the Tree is the Watering Hole is a dynamic exploration of space and community within the African diaspora. Highlighting the Black experience in Black neighborhoods, the exhibition celebrates the history of the Sistrunk community with works by: Germane Barnes, Darius V. Daughtry, David I. Muir, Adler Guerrier, Olalekan Jeyifous, Adrienne Chadwick, Marlene Brunot, and George Gadson. The exhibition is curated by Dominique Denis.
via David Zwirmer‘s Luc Tuymans, Good Luck, October 27—December 19, 2020, Hong Kong.
Re: Luc Tuymans, Superstition, January 15–February 26, 1995, Renaissance Society.
Saturday, November 28, 2020 4PM – 5PM EST
Specialist in African Diasporic and Caribbean Art Histories Erica Moiah James talks with Port-au-Prince-born, Miami-based visual artist Adler Guerrier about the relationship his work has with the city he’s chosen to call home, as well as his latest public art installation, Claimed for Living, for Love and Trouble, currently installed in the Miami Design District.
Hartt’s ongoing inquiry into the ideological implications of the built environment engages a variety of media. Shot in both Athens and Detroit, the footage, set to a score by Sam Prekop, is montaged so that the locations become indiscernible and a hybrid city-state emerges.
via moca toronto
The score. Installation at David Nolan.
Also, via Argos.
