Jennifer Burris interviews Park McArthur, in relation to Ramps, her exhibition at ESSEX STREET.
You've got to dig to dig it, you dig?
Jennifer Burris interviews Park McArthur, in relation to Ramps, her exhibition at ESSEX STREET.
Exhibition at the Walker Art Center.
Here is the Frankenthaler excerpt referenced by Grabner.
Painters Painting, Emile de Antonio, 1973.
THE THREE OF US
A collaboration by NWSA visual arts faculty Aramis O’Reilly and his wife Pierina Guido O’Reilly,The Three of Us, is an exhibition of paintings, drawings and photographs that expresses the tangible attributes of both mediums as well as the intangible and complex qualities of the visible and living word. Each artist brings to their work a unique perspective on the theme along with a common vision that has been forged by their 26 years of marriage.
March 7 – 8
Opening Reception: March 8; 6:00 PM – 9:00 PM
NWSA@Artseen Gallery
2215 NW 2 Avenue, Wynwood
Free and open to the public
via nwsa newsletter
Call to Artists – Open to all SA+AH (includes New World School of the Arts) and SFRC Faculty, Alumni, Staff, and Students
www.arts.ufl.edu/downloads/austincaryart.pdf
Project information including building elevations and floor plans : www.austincaryart.wordpress.com
Applications are due March 21, 2014.
Otabenga Jones & Associates, unveiled “The People’s Plate,” a mural at Lawndale Art Center, part of a collaborative art project/public health program.
via Creative Capital.

Zachary Fabri: Forget me not, as my tether is clipped.
Also:
The Movement: Bob Adelman and Civil Rights Era Photography
Organized by NSU Museum of Art Fort Lauderdale as part of its Foto Fort Lauderdale initiative and curated by Peter Boswell.
January 19 – May 17, 2014
Opening: January 18th, 6-8:30pm
Nova Southeastern University’s Museum of Art | Fort Lauderdale
1 East Las Olas Boulevard
Fort Lauderdale, FL 33301
Hypnerotomachia Poliphili, via Thames & Hudson; also offers images of the woodcuts. T&H, in 1999, published an english translation of the text; they attribute Francesco Colonna as the author.
Here is the book jacket text :
It is hard to believe that the Hypnerotomachia Poliphili, printed by Aldus Manutius in 1499, one of the most famous books in the world, read by every Renaissance intellectual and endlessly referred to in studies of art and culture ever since, has never appeared in English. One reason, no doubt, is the length and difficulty of the text. It is a strange, pagan, pedantic, erotic, allegorical, mythological romance relating in highly stylized Italian the quest of Poliphilo for his beloved Polia. The author (presumed to be Francesco Colonna, a friar of dubious reputation) was obsessed by architecture, landscape and costume – it is not going too far to say sexually obsessed – and its 174 woodcuts are a primary source for Renaissance ideas on both buildings and gardens. In 1592 a beginning was made to produce an English version but the translator gave up after only a third of the text. Now, at last, the task has been triumphantly accomplished by Joscelyn Godwin, who succeeds in reproducing all its wayward charm and arcane learning in language accessible to the modern reader.
Liane Lefaivre, in 1997, attributes the book to Leon Battista Alberti.
Codex99 considered it.
Memorial University has a biographical page.