“Good as always,” he said over his shoulder. “Always,” I repeated
“Look past the fence—there—those purple flowers. […] These will be perfect on our windowsill.” […] It was beauty, I learned, that we risked ourselves for.
“What’s good?” […] a precious spark we sought and harvested of and for one another.
“maybe all names are illusions. How often do we name something after its briefest form?”
–Ocean Vuong, On Earth We’re Briefly Gorgeous: A Novel
“a genre [a place] for ‘managing the distance and proximity of what touches us'” Joe Jukes on Berlant (‘THE PLACE WHERE…’, Encountering Berlant part 1: Concepts otherwise)
“The work of these movements taken as a whole interrogates what is “normal”; […] encourages us to construct a politics rooted in desire.” (Robin D.G. Kelley)
“a myth is not something false, rather a myth is something with so much truth that it needs a fantastical container” Pádraig Ó. Tuama, Poetry Unbound: 50 Poems to Open Your World.
EVENING PRIMROSE Poetically speaking, growing up is mediocrity. – NED ROREM
Neither rosy nor prim, not cousin to the cowslip nor the extravagant fuchsia, I doubt anyone has ever picked one for show, though the woods must be fringed with their lemony effusions.
Sun blathers its baronial endorsement, but they refuse to join the ranks. Summer brings them in armfuls, yet, when the day is large, you won’t see them fluttering the length of the road.
They’ll wait until the world’s tucked in and the sky’s one ceaseless shimmer – then lift their saturated eyelids and blaze, blaze all night long for no one.