Category: landscape

  • AG2023_1066628a or an offer of consolation

    AG2023_1066628a

    “Deep in the shady sadness of a vale
    Far sunken from the healthy breath of morn,
    Far from the fiery noon, and eve’s one star,
    Sat gray-hair’d Saturn, quiet as a stone,
    Still as the silence round about his lair;
    Forest on forest hung about his head
    Like cloud on cloud.”

    – John Keats, Hyperion.


    “But you offer, saturnine traveler,
    with what eloquence in mute space
    consolation to him whose life is broken”

    -Luis Carlos López, Versos a la luna

  • AG2023_1066418a or nor do we adhere at first

    AG2023_1066418a

    “… did not need much
    To make us laugh instead, and touch,”

    -A.E. Stallings, “Recitative,” from Poetry (April 2005).


    Why should the Devil get all the good tunes,   
    The booze and the neon and Saturday night,   
    The swaying in darkness, the lovers like spoons?   
    Why should the Devil get all the good tunes?   
    Does he hum them to while away sad afternoons   
    And the long, lonesome Sundays? Or sing them for spite?   
    Why should the Devil get all the good tunes,   
    The booze and the neon and Saturday night?

    -A. E. Stallings, “Triolet on a Line Apocryphally Attributed to Martin Luther” from Poetry, April 2005.


    Tar babies are
    not the children
    of tar people.
    It is far worse.
    The tar baby occurs
    spontaneously
    nor do we adhere
    at first. There is
    an especially
    unperverse
    attractiveness
    to the tar baby–
    although currently
    she is a little sick.
    When you start
    to help her
    is when she
    start to stick.

    Kay Ryan, “Tar Babies“

  • AG2023_1056378a or a true thing

    AG2023_1056378a

    “In this place every true thing is okay.
    […]
    They drove off into a violet so ultra it broke her heart.”
    -(TM)

  • AG2023_1056249a or active participants in our collective becoming

    AG2023_1056249a

    “This was a place with a very different material and mythological past and present.
    […]
    The notion of a more-than-human world further intimates that these things are beings: not passive props in the drama of our own preoccupations, but active participants in our collective becoming.
    […]
    Art has a role to play here”

    -(JB)


    “Of course”


    Glass: Four Movements for Two Pianos – IV. — · Katia & Marielle Labèque. 2013 KML Recordings Released on: 2016-09-16 Composer: Philip Glass

  • A rosehip freedom dream

    AG2022_1110804a

    “the shrieks, the moans, the nonsense, and the opacity, which are always in excess of legibility and of the law and which hint at and embody aspirations that are wildly utopian” (SH)

  • AG2021_2020800a or being itself

    AG2021_2020800a

    “Being itself is relational. […] Our human agency and intentionality transforms the objects of culture into subjects, through the meaning we give to them and the uses we put them to.

    […]

    care : a constant attentiveness to the meaning and affect of our entanglement.

    […]

    politics : the hard, meaty detail of debate, decision-making, power relationships and status.”

    -James Bridle, Ways of Being


    “We had fed the heart on fantasies,
    The heart’s grown brutal from the fare,
    More substance in our enmities
    Than in our love; oh, honey-bees
    Come build in the empty house of the stare.”

    –VI—The Stare’s Nest By My Window, W. B. Yeats.


    Bernardo Arévalo, from the progressive Movimiento Semilla party, won Guatemala’s presidential election. (theguardian)

  • AG2023_1056358a2 or in the scale of things

    AG2023_1056358a2

    ‘It’s the principle involved–
    Truth, Beauty,

    Call what you will,
    Belittle it …’ Traveling light,

    Your lifework, inch-high sculpture
    Crammed in a matchbox

    Weighs nothing, in the scale of things.

    —Matchbox Sculptures by Harry Clifton


    Rein by Gustavo Santaolalla for the film, Biutiful, 2010.

  • AG2023_1066428a or I step quietly … find your shape

    AG2023_1066428a

    It is a good day when I see you,
    powder-red bloom
    on a floating branch.
    Or hear you, sliding your one note

    barbershop style.
    You are always a distance
    from me–I try

    to get close.
    When the sun has hardly risen,
    I step quietly
    through the woods,

    find your shape. Say
    to myself: hide,

    desire. Yours are not the kind
    of hands

    to catch this kind of bird.

    – Bird in the Head by Ailish Hopper