“W. E. Du Bois interviewed Harriet Tubman late in her life …” seems part of, or at least a solid anchor point in, the epic narrative known as the Black Radical Tradition.
“… abolition geographies are made, on the ground, everywhere along the route–time-route as well as the space-route” (Ruth Wilson Gilmore, Abolition Geography Essays Towards Liberation)
“a […] cosmology that depended on their attention”
“Distraction was not just a personal problem, they knew; it was part of the warp of the world,” Kreiner (Jamie Kreiner’s new book, “The Wandering Mind: What Medieval Monks Tell Us About Distraction” (Liveright)) writes. “Attention would not have been morally necessary, would not have been the objective of their culture of conflict and control, were it not for the fact that it centered on the divine order.” (Casey Cep, Eat, Pray, Concentrate, New Yorker, January 30, 2023)
“Of heterotopias, Foucault writes, “We are in the epoch of simultaneity: we are in the epoch of juxtaposition, the epoch of the near and far, of the side-by-side, of the dispersed.””
“In some way, any imaginary situation can be lived in advance.”
“confidence-sustaining habits” (LB)
“the perennial problem of artists: time, and what to do in it.” (ZS)
“the flowers we tend with our own hands have a habit of blooming in our expectations and filling our hopes with a sweetness”
“it is no use relying on artists, poets, philosophers, or saints to make something of the enclosed spaces or the waste portions of our soul: Il faut cultiver notre jardin.” (Vernon Lee)
“I’ve been thinking a great deal about time and motion lately,
about being a still point in the ceaseless rush.” (ESM)
“systems of renewal” (RS)
“A certain liquidity suffused everything about the place” (JD, Miami)
Schubert: Piano Trio No. 2 in E flat, Op. 100 D.929 – 4. Allegro moderato · Beaux Arts Trio
Schubert: The Piano Trios ? 1985 Universal International Music B.V.
Released on: 1986-01-01
Piano: Menahem Pressler, Violin: Isidore Cohen, Cello: Bernard Greenhouse
Recording Producer: Volker Straus
Recording Engineer: Cees Heijkoop
Composer: Franz Schubert
“speculative knowledge of freedom would establish the vision of what might be, even if unrealizable within the prevailing terms of order.”
“everyday practices explored the possibility of transfigured existence and cultivated an imagination of the otherwise and elsewhere”
“At secret meetings and freedom schools, hidden away in loopholes of retreat and hush arbors, gathered at the river or dwelling in the swamp, the enslaved articulated a vision of freedom that far exceeded that of the liberal imagination. It enabled them to conceive other ways of existing” (SH, Scenes of Subjection)
