
Janet Flanner profiles Matisse in New Yorker, 1951.
You've got to dig to dig it, you dig?
offer my own red language
my tongue to your tongue
so we recall what we once said
that made us live
made us choose to live
Red Language, Heid E. Erdrich
MoMA PS1, Katharina Grosse : Rockaway!, 2016.

the poem begins
neither in word
nor meaning but the small
If It All Went up in Smoke, George Oppen
FOR IMMEDIATE RELEASE (pdf)
Oct. 30, 2024
2024 Installment of No Vacancy, Miami Beach on Display from Nov. 14 to Dec. 12
— 12 artists will exhibit one-of-a-kind art projects and installations at area hotels with $35,000 in prize money up for grabs during Art Week Miami Beach —
Miami Beach, FL – The City of Miami Beach, in collaboration with the Miami Beach Visitor and Convention Authority (MBVCA) and the Greater Miami Convention & Visitors Bureau (GMCVB), is pleased to announce the return of No Vacancy, Miami Beach — a juried art competition that supports and celebrates local artists, provokes critical discourse and encourages the public to experience Miami Beach’s famed hotels as art destinations. For the fifth edition of the competition, No Vacancy, Miami Beach 2024will include 12 participating artists and collectives that will present site-specific works at 12 different hotels around Miami Beach. The workswill be displayed from Nov. 14 to Dec. 12.
Each selected artist or collective will receive $10,000 to create an installation at an assigned hotel. Participants were selected from an open call for submissions issued by the city and by representatives from the City of Miami Beach Art in Public Places Committee, Cultural Arts Council and MBVCA.
For the fifth iteration, two artists will be awarded a combined total of $35,000 in prizes. One will receive a $10,000 public prize from the GMCVB and the other will be awarded a $25,000 juried prize from a panel of art world professionals.
Participating Hotels and Projects No Vacancy, Miami Beach 2024:
Funding for this project is provided by the City of Miami Beach Cultural Arts Council, Miami Beach Visitor and Convention Authority as well as the Greater Miami Convention and Visitors Bureau. For additional information, please visit mbartsandculture.org.
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About the City of Miami Beach Art in Public Places Committee
The Art in Public Places Committee is a seven-member City Commission-appointed citizen’s board responsible for the commission and purchase of artwork by contemporary artists in all media. The program allocates funds totaling 2% of hard costs for city projects and joint private/public projects. Funds from construction projects may be aggregated into the Art in Public Places Fund and allocated for artwork at public sites and for collection maintenance.
About the City of Miami Beach Cultural Arts Council
The Cultural Arts Council (CAC) is an 11-member body created in 1997 for the purpose of developing, coordinating and promoting the performing and visual arts in the City of Miami Beach. The CAC serves as arts advocates before governmental bodies, coordinates collective marketing initiatives for the local arts community and funds not-for-profit arts organizations. Since the program’s inception, the CAC has awarded approximately $18 million in cultural arts grants, supporting thousands of performances, exhibits, and other cultural activities in Miami Beach.
About the Miami Beach Visitor and Convention Authority (MBVCA)
The MBVCA is a seven-member authority, appointed by the City of Miami Beach Commission, with the goal of encouraging, developing and promoting the image of Miami Beach locally, nationally and internationally as an outstanding tourist destination. To this end, the MBVCA strategically focuses its funding investments in a balanced manner, fostering outstanding existing programs, stimulating new activities and encouraging partnerships. The MBVCA is committed to a careful, long-term plan for allocation of resources to help Miami Beach thrive as a destination with something for everyone.
About the Greater Miami Convention and Visitors Bureau ??(GMCVB)
The Greater Miami Convention & Visitors Bureau is an accredited, independent not-for-profit sales and marketing organization whose mission is to attract visitors to Greater Miami & Miami Beach for leisure, business, meetings and conventions. For a vacation guide, visit our website at www.MiamiandMiamiBeach.com or call 1.888.76.Miami (US/Canada only) or 305.447.7777. To reach the GMCVB offices dial 305.539.3000. Meeting planners may call 1.800.933.8448 (US/Canada only) or 305.539.3071 or visit www.MiamiMeetings.com. To get further engaged with Greater Miami & Miami Beach, join the conversation by following us on our social media channels at Facebook.com/visitmiami, Twitter.com/visitmiami, Instagram.com/visitmiami, TikTok.com/@visitmiami and Pinterest.com/visit_miami.
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Communal forms of “inhabiting” or “sharing usage”—particularly of the land—are directly political in a way that allows us to break with modalities of ideology and identitarianism.
[…]
When people of starkly different backgrounds and beliefs come together pragmatically on an everyday basis to perform the tasks and devise the ever-shifting agendas of a territorial occupation, something like a polemical political community is created. Composition begins when people of different origins, with different ways of thinking, different histories and relations to the land, different skills, and sometimes vastly different risk tolerance decide to act together, under the presumption of equality, to defend a territory. A new collective subject—the result of mutual displacements and dis-identifications and the action of equals as equals—is produced, essentially, through practice, through creative, shared engagement in building, defending, and sustaining the life of the occupation day by day. The product of a massive investment in organizing life in common, composition dispenses with the kinds of exclusions based on ideas, identities, or ideologies so frequently encountered in radical milieus, the whole tired sectarianism of the history of the left. As such, it is a manner of making a world, the weaving together of a new kind of solidarity—one where the unity of experience counts more than the divergence of opinions, and one that amplifies, as well, Kropotkin’s conviction that solidarity is not an ethics or a moral sentiment but, rather, a revolutionary strategy, and perhaps the most important one of all.
Kristin Ross, Composition, e-flux, Excerpt from The Commune Form: The Transformation of Everyday Life (Verso, 2024)

Ceramic League of Miami hosted Lisa Orr, who led the building of and the firing of a Rocket Kiln.


Rocket stoves seems to burn wood quite efficiently and performs without smoke.