Revolutions Per Minute, coming soon. via.
Category: music
NPR Music: Lewis on McPartland
NPR Music dug through its archives and aired(?) a session of Marian McPartland’s show from her first season, 1979, featuring John Lewis. I am a fan.
Great listening!
Alan Lomax : Haiti
The Alan Lomax Collection, which is part of the American Folklife Center in the Library of Congress, is releasing a box set of music from 1930s Haiti.
Alan Lomax made an impressive career out of recording folk music all over the world; bringing it to American audiences, and preserving it for posterity. But few people heard the recordings that Lomax made in Haiti in the 1930’s. This month (Nov 17th) those Haiti recordings will be released to the public for the first time in the form of a 10-CD box set.
via http://www.theworld.org/2009/11/02/global-hit-alan-lomax/
NPR covered this story as well.
Hartre Recordings is actually releasing the box set. They offer a sample.
Afropop Worldwide has a review.
And Alan Lomax facebook page, maintained by the Association for Cultural Equity.
mtt on music
Michael Tilson Thomas, of the San Francisco Symphony and the New World Symphony, has this very cool radio program. The first in the series is a discourse on music, noise and their shared borders. One can hear via HD-Radio or from the American Public Media website. Suzanne Vega co-host.
Have a listen.
Noise Orders
Noise Orders : Jazz, Improvisation, and Architecture by David P. Brown promises to be an interesting reading. Here is a book description from U. of Minnesota Press:
In this lively book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz.
Improvised music consists of diverse properties that fail to register in the object-oriented understanding of composition. As a result, it is often dismissed as noise—an interfering signal. However, Brown asserts, such interference can bear meaning and stimulate change. Noise Orders identifies how architecture can respond to the inclusive dynamics of extemporaneous movements, variable conceptions of composition, multiple durations, and wide manipulation of resources found in jazz to enable outcomes that far exceed a design’s seeming potential.
By exploring overlapping moments between modernism and the cultural dimensions of jazz, Noise Orders suggests that the discipline of improvisation continues to open and redefine architectural theory and practice, creating a world where designers contribute to emerging environments rather than make predetermined ones. Comparing modern and avant-garde artists and architects with individuals and groups in jazz—including Piet Mondrian and boogie-woogie, John Cage and Rahsaan Roland Kirk, Le Corbusier and Louis Armstrong, and Ludwig Mies van der Rohe and the Association for the Advancement of Creative Musicians (AACM)—Brown examines how jazz can offer alternative design ideas and directions, be incorporated in contemporary architectural practices, and provide insight on how to develop dynamic metropolitan environments.
Interdisciplinary in its approach, innovative in its methodology, and unexpected in its conclusions, Noise Orders argues for a deeper understanding of the infinite potential inherent in both music and architecture.
David P. Brown is associate professor of architecture at the University of Illinois at Chicago.
192 pages | 47 halftones | 5 7â„8 x 9 | February 2005
Music and Architecture have been academically coupled ever since Vitruvius’s Ten Books on Architecture. He advocated, as part of the education of an architect, an emphasis on music.
Music assists an architect in the use of harmonic and mathematical proportion.
An architecture informed by jazz and improvisation might be to impractical to produce houses and buildings that would serve our immediate needs. Especially when one thinks of the case of a city like New Orleans. But it would be grand if such a conversation takes place. I would welcome a theoretical project which re-plan and design New Orleans, while taking notes of the city histories–music, food, decadence and inhabitants.
via.