[soundcloud url=”https://api.soundcloud.com/tracks/174410758″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /] The Otolith Group at the Centre for Contemporary Art in Singapore as part of the Guggenheim UBS MAP Global Art Initiative
Category: theory
Coloniality: The Darker Side of Western Modernity
[soundcloud url=”https://api.soundcloud.com/tracks/180603748″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /] Walter Mignolo at the Guggenheim Museum
The Uprising by Franco “Bifo” Berardi
The Uprising – On Poetry and Finance by Franco “Bifo” Berardi via SEMIOTEXT(E).
The Uprising is an Autonomist manifesto for today’s precarious times, and a rallying cry in the face of the catastrophic and irreversible crisis that neoliberalism and the financial sphere have established over the globe. In his newest book, Franco “Bifo” Berardi argues that the notion of economic recovery is complete mythology. The coming years will inevitably see new surges of protest and violence, but the old models of resistance no longer apply. Society can either stick with the prescriptions and “rescues” that the economic and financial sectors have demanded at the expense of social happiness, culture, and the public good; or it can formulate an alternative. For Berardi, this alternative lies in understanding the current crisis as something more fundamental than an economic crisis: it is a crisis of the social imagination, and demands a new language by which to address it.
This is a manifesto against the idea of growth, and against the concept of debt, the financial sector’s two primary linguistic means of manipulating society. It is a call for exhaustion, and for resistance to the cult of energy on which today’s economic free-floating market depends. To this end, Berardi introduces an unexpected linguistic political weapon–poetry: poetry as the insolvency of language, as the sensuous birth of meaning and desire, as that which cannot be reduced to information and exchanged like currency. If the protests now stirring about the world are to take shape and direction, then the revolution will be neither peaceful nor violent–it will be linguistic, or will not be at all.
Below, he spoke of the end of the future and the need for better usage of time.
Bifo: After the Future from Preempting Dissent on Vimeo.
Franco “Bifo” Berardi on key concepts in his new book “After the Future”. Directed by Gary Genosko and produced by the Infoscape Centre for the Study of Social Media, Ryerson University.
Presentation at the 31st Chaos Communication Congress
“The Invisible Committee Returns with “Fuck Off Google”
Cybernetics, Anti-Terrorism, and the ongoing case against the Tarnac 10
Presentation is partly sourced in “To Our Friends“.
Who Speaks for the Subaltern?
Metafilter on Chibber in Jacobin Magazine about his book, Postcolonial Theory and the Specter of Capital, 2013.
Chris Taylor‘s review of the book is helpful.
Dürer’s polyhedron

The Guardian on the poluhedron in Albrecht Dürer’s 1514 engraving Melencolia I
…why this polyhedron? And why this particular shape?
The Metropolitan Museum of Art. The British Museum It was at Christies.
Between politics and aesthetics
…I blame writers and artists for some of the success of this kind of “public relations” and the resultant degradation of the language… Via Scribd
Author(s): David Levi Strauss and Hakim Bey
Source: BOMB, No. 89 (Fall, 2004), pp. 74-80
Read the article for the context.
More time in grave yards
de Botton is a fan of Heidegger
