Author: dig

  • AG2021_2030457a or avenues of grace

    AG2021_2030457a

    When we ask about the ends of criticism, we’re also asking how criticism ends. I don’t think it does, any more than love. Both things—criticism, love—are better off, and better done, if we let them admit their perversions, their failures and travesties and pratfalls. They are, both things, an unending negotiation of the limits of what is bearable. They are, at their best, avenues of grace within fucked-up time, languages of perpetual inquiry and curiosity, poses of submission and dominance and everything in between, a practice of turn-taking in a world that runs on theft and greed. They believe, rightly or wrongly, that there is always room to try again. And maybe there is.

    Anahid Nersessian, Originally published in Mousse 86

    Maybe it’s chance. Maybe it’s fate. But the two aren’t necessarily contradictory. Chance is merely a fate unknown to us, a fate written in invisible ink.

    […]

    And that’s exactly what you should always follow: life and its unpredictable paths. They all lead to the same place, the same destination for all of us, but to get there, they take routes that can be beautiful or terrible, paved with flowers or bones, night roads we often travel alone, but where we have the chance to put our souls to the test.

    The Most Secret Memory of Men: A Novel
    Mohamed Mbougar Sarr, translated from French by Lara Vergnaud
  • AG2021_1880278aa or and for running after spinning top

    AG2021_1880278aa

    Untitled (A place to stand and stare, recalling tunes of ballads in a minor key)


    It is “the running after the spinning top” or “To be running breathlessly, but not yet arrived, is itself delightful, a suspended moment of living hope.” Carson via Enns.

  • AG2024_1820407 or a poetics that leavens

    AG2024_1820407 (2019_09_22 17_43_21 UTC)a

    Ordinary Unhappiness, Anahid Nersessian on The Lights by Ben Lerner.

    “If the aim of this art is to map in language “the motion,” as John Ashbery put it, “by which a life / May be known and recognized,” it must confront what happens when life begins to take a shape whose patterns are warped or aborted by an anomalous present and the anticipation of an even worse future.

    In The Lights, the pervasive unreliability of the world is visible on the page, where it takes many forms”

    […]

    “The title The Lights seems to refer to what Lerner calls “sources / of lift,” those unexpected instants when someone … or something … leavens without eliminating the difficult immensity of being alive. It doesn’t always work.”

    […]

    “Kindness, it turns out, does not mean trying to argue someone into sanity by exposing her delusions nor does it mean ignoring them. Instead, it might mean finding a way to enter unobtrusively into madness as if in a collaborative spirit and to make it non-catastrophic together.”

    […]

    “The madness of the world might not be malleable and yet there is no ethical choice but to try and reshape it. If Lerner’s language aspires to be a medium in which experience is, however briefly, suspended before it is shorn down into clarity or cliché, that language has no illusions about its power. It knows that poetry—like sex or parenting or friendship—is a discipline of barely getting by. We fuck up, we act like clowns, we cause pain without thinking or because we cannot control ourselves. But we also show up and repair what we must and save who we can.”


    “I selected
    sleep, but could not
    I decided to change everything
    Composed entirely of stills
    or fade into the trees

    […]

    In a perfect world, this would be
    April, or an associated concept
    Green to the touch
    several feet away

    [By any measure], Ben Lerner

  • Sunsetted revery

    1.
    I was the starlight
    I was the moonlight
    I was the sunset,
    Before the dawning
              Of my life
    ;
    I was the river
    Forever winding
    To purple dreaming,
    I was the glowing
    Of youthful Springtime,
    I was the singing
    Of golden songbirds,—
            I was love.

                2.
    I was the sunlight,
    I was the twilight, 
    I was the humming
    Of winged creatures
        Ere my birth;
    I was the blushing
    Of lily maiden,
    I was the vision
    Of youthful striving,
    I was the summer,
    I was the autumn,
    I was the All-time—
          I was love.

    Revery, Fenton Johnson


    https://birdbird.tumblr.com/post/739720814827651072/john-baldessari-two-sunsets-one-with-square-blue
    https://birdbird.tumblr.com/post/739721851966832640/anastasia-samoylova-sunset-on-west-avenue-2017

    Reading List: Publishers for Palestine. (Afterall)

    • Edward Said on After the Last Sky: Palestinian Lives, 1986 at ICA, London, with Salman Rushdie. Listen
  • Today honors

    “Every man must decide whether he will walk in the light of creative altruism or in the darkness of destructive selfishness.”

    Like anybody, I would like to live a long life. Longevity has its place. But I’m not concerned about that now. I just want to do God’s will. And he’s allowed me to go up to the mountain. And I’ve looked over. And I’ve seen the promised land. I may not get there with you. But I want you to know tonight that we, as a people, will get to the promised land! And so I’m happy tonight. I’m not worried about anything. I’m not fearing any man! Mine eyes have seen the glory of the coming of the Lord!

    Dr. Martin Luther King

    Today is the federal holiday that honors Dr. Martin Luther King Jr. via DemocracyNow.


    AG2020_1880571a

    https://birdbird.tumblr.com/post/739601596301918208/via-black-miami-dade
  • AG2024_1088570a2

    AG2024_1088570a2

    “to participate in creating a vision of the future that will enlarge the humanity of all of us”

    “When people come together voluntarily to create their own vision, they begin wishing it to come into being with such passion that they begin creating an active path leading to it from the present.”
    Robin Kelley, Freedom Dreams

  • AG2024_1088626a or in the presence of such enormous, distracting absences

    AG2024_1088626a

    “It was far-reaching: this much she knew. It had layers and strata, like a landscape.”

    “trying to live as best they can in the presence of such enormous, distracting absences”
    (Maggie O’Farrell)


    Toxic, Jeff Russo · Lisa Hannigan, Fargo Year 5 (Soundtrack from the MGM/ FXP Series)

  • AG2023_1078351a or of a wiggly consciousness

    AG2023_1078351a

    https://www.tumblr.com/garadinervi/726926536611135488/jes%C3%BAs-antonio-rojas-1-161-c-letraset-on

    “Marxism has always claimed that being can determine consciousness precisely to determine being anew.’”

    “Consciousness is no longer the mere product of social being but is at once a condition of its practical existence and, further, one of its central productive forces.

    Raymond Williams