Author: dig

  • AG2023_1150374a or softened drama of fury and frenzy

    “you speak softened
    drama of fury and frenzy,
    quiet underbelly, light
    beaming into peaceful
    dark interrupted by
    minor collisions
    bodies were built
    to withstand.”

    Untitled for a Reason, Tara Betts


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  • AG2016_1040680 or to be a fool

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    who pays any attention 
    to the syntax of things

    […]

    wholly to be a fool
    while Spring is in the world

    Cummings

  • AG2024_1089181aab or rehearse freedom in our day-to-day lives

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    The Channeler, Anahid Nersessian, interviewed by Merve Emre, Episode Four of “The Critic and Her Publics”, March 12, 2024.

    “One of my aims is to create a space where a reader can take twenty minutes to engage with an object. Not to be too idyllic about it, but to me that’s freedom, and the more we can experience or rehearse freedom in our day-to-day lives, the more we can know what it might be on a grander scale.”

    “That reading would have to be something like the old saw from academic discourse around what’s called secularism. Nowadays nobody believes in God, in fairies, nymphs, anything, so we look at the world and see trees instead of animate beings that have souls. And this is very depressing for everyone. So, this seems to be an expression of that same idea—I don’t see magic in the world.”

  • AG2024_1089047a or needs in order to constitute itself

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    “the thing that cannot be fitted into a system but which nevertheless the system needs into order to constitute itself as a system” – Hubert Damisch through Rosalind Krauss on Agnes Martin via Nersessian’s Apostrophe : Clouds.

    “clouds synchronize the concrete with the immaterial” – AN

  • Do your thing

    Isaac Hayes, Shaft, Do your thing, 19:38. 1971

    Soul Men, 2008.


    In so returning to ourselves from the realm of projection, we are tasked with finally mapping and traversing the inner landscape of the psyche, with all its treacherous terrain and hidden abysses. Hollis writes:

    “It takes courage to face one’s emotional states directly and to dialogue with them. But therein lies the key to personal integrity. In the swamplands of the soul there is meaning and the call to enlarge consciousness. To take this on is the greatest responsibility in life… And when we do, the terror is compensated by meaning, by dignity, by purpose.

    […]

    Our task at midlife is to be strong enough to relinquish the ego-urgencies of the first half and open ourselves to a greater wonder.”

    In the remainder of The Middle Passage, Hollis goes on to illustrate … how personal complexes and projections play out in everything from parenting to creative practice to love, and how their painful renunciation swings open a portal to the deepest and most redemptive transformation.

    The Marginalian
  • AG2024_1089292a

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    “That’s all man is: a creature you can feel pity for.”

    “So it’s death, then, and nothing more, that is the disappointing truth of every life?”

    The Most Secret Memory of Men: A Novel, Mohamed Mbougar Sarr, translated from French by Lara Vergnaud

  • 030724

    “The name says something about the being” Sarr

  • AG2024_1089047a

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    “Art is not vague production, transitory and isolated, but a power which must be directed to the improvement and refinement of the human soul” Kandinsky via Popova.