Untitled (We find moments in the landscape, ripe for replenishment, and in positions conducive to imagine anew), 2019. Archival pigment print on Hahnemühle Photo Rag Baryta paper. 21 x 14 inches.
Installation photo by Zach Balber.
Exhibited in : Happy! at NSU Art Museum Fort Lauderdale, October 26, 2019 – July 2020; Bienal de la Habana, Centro de Arte Contemporáneo Wifredo Lam, April – May, 2019.
Untitled (A noticing – Por eso jamás he entrado a […]), 2019. Color photograph.
Untitled(We find moments in the landscape, ripe for replenishment, and in positions conducive to imagine anew)
Installation of photographs, prints, drawings, and wallpainting.
2019
Untitled (We find moments in the landscape, ripe for replenishment, and in
Untitled (We find moments in the landscape, ripe for replenishment, and in positions conducive to imagine anew)
Installation of photographs, prints, drawings, and wallpainting.
Installation views at Centro de Arte Contemporáneo Wifredo Lam.
positions conducive to imagine anew)
Installation of photographs, prints, drawings, and wallpainting.
Installation views at Centro de Arte Contemporáneo Wifredo Lam.
Untitled (Affirmation held by a perceived and familiar mark)
15 x 11.125 inches
38.1 x 28.26 cm
Graphite, acrylic, enamel paint, ink and solvent transfer on paper.2019
Untitled(Place marked with an impulse, found to be held within the fold) iv
2019
Ink, graphite, collage, acrylic, enamel paint and xerography on paper
71 x 48 inches
Untitled (Presence in this place is contingent on forms; Sugarcane)i
2019
Solvent transfer, graphite, ink, and acrylic on paper. 30 x 22.25 inches
Untitled (blck-Devoted to the cause and improvement), 2018
Digital color video, with sound. 12:05 mins.
Installation view at CAAM.
Untitled(stoic derivation and decolonial)
2019
Wall painting
Exhibition title: Coffee, Rhum, Sugar and Gold: A Postcolonial Paradox
Venue(s): Museum of the African Diaspora, San Francisco
Dates of loan: March 15, 2019 –June 27th , 2021 (If traveling)
Dates of exhibition: May 8 th – August 11 th , 2019
Museum of the African Diaspora
685 Mission St.
San Francisco, CA 94105
Credit line :
Coffee, Rhum, Sugar and Gold: A Postcolonial Paradox is an exhibition curated by Dexter
Wimberly and Larry Ossei-Mensah; organized by Museum of the African Diaspora, San
Francisco.
The exhibition is made possible in part by The Andy Warhol Foundation for the Visual Arts.
Untitled (Marks, plot, and views coalesced into the subjectivities that render landscape) i
2019
Graphite, ink, collage, enamel paint, and solvent transfer on paper.
15 x 11 inches.
Untitled (Marks, plot, and views coalesced into the subjectivities that render landscape) ii
2019
Graphite, ink, collage, enamel paint, and solvent transfer on paper.
15 x 11 inches.
Untitled (Marks, plot, and views coalesced into the subjectivities that render landscape) iii
2019
Graphite, ink, collage, enamel paint, and solvent transfer on paper.
15 x 11 inches.
Untitled (Marks, plot, and views coalesced into the subjectivities that render landscape) iv
2019
Graphite, ink, collage, enamel paint, and solvent transfer on paper.
15 x 11 inches.
Untitled (Marks, plot, and views coalesced into the subjectivities that render landscape) v
2019
Graphite, ink, collage, enamel paint, and solvent transfer on paper.
15 x 11 inches.
Untitled (Landscape coalesced into a still; a memento mori, foraged and cultivated, wild and cultured, formed to assert subjectivities) i
2019
Archival pigment print on Hahnemühle FineArt Baryta Satin.
15.65 x 10.65 inches
Edition of 50 + 2 A.P. signed and numbered in verso.
Untitled(Coalesced into a still) i, 2019. Solvent transfer on paper. 11 x 15 inches
Untitled(Coalesced into a still) ii, 2019. Solvent transfer and enamel paint on paper. 11 x 15 inches
