Untitled (Gnomon with a lateral penchant)
2015
Graphite, enamel paint, steel, reclaimed wood and plywood
11 x 10 x 13.5 inches
Category: sculpture
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Works in “The Devil is in the Details”
The Devil is in the Details – Curated by Jesus Fuenmayor at KaBe Contemporary
September 17 – November 20, 2015
Iván Argote, Arocha + Schraenen, Lothar Baumgarten, Matthew Buckingham, Elena Damiani, Adler Guerrier, Jorge Pedro Núñez, Edgar Orlaineta, Laercio Redondo, Matheus Rocha Pitta, Sergio Vega.
untitled(black orange rhombus) 2013
wood-stain, glass, plywood
untitled(black orange tan) 2013
wood-stain, plywood
untitled(sharing in a market-mediated access economy-stadium) 2015
enamel paint, chipboard, wire, wood and coroplast.
untitled(versus) 2015
enamel paint, wood, plexiglass, newspaper, plywood, coroplast
untitled(vanga) 2015
enamel paint, wire, wood and coroplast
Untitled (Gnomon with a lateral penchant) 2015
Graphite, enamel paint, steel, reclaimed wood and plywood -
Untitled(blck revolution means justice for all)/Lever
Untitled(blck revolution means justice for all)/Lever, 2015
Wood, MDF, oil-based wood stain, steel and enamel paint.i
Untitled(blck revolution means justice for all)/Lever, 2015Call for justice and equity has always been revolutionary.
Call for revolution, at times, is conflated with call for justice.
Space for revolutionary calls and its discourse is not marginal and has ontological implications.
Within the penumbra of a call lies open, libre/free commons shaped by ethics and aesthetics.
An Archimedean lever also maneuvers towards autonomy.
New image.
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untitled(not quite a lever)
untitled(not quite a lever …)
MDF, plywood, coroplast, sleeved vinyl record, book and enamel paint
34 x 27 x 24 inchesshown in Don’t Get High On Your Own Supply, David Castillo Gallery.