Untitled (The struggle to survive, beautifully, wild and wayward,
expressed in the practice of everyday life)
2020
Archival pigment print
15 x 10 inches
Author: adler
-
Untitled (sketch- Here. Place the Lever) IV
Untitled (sketch- Here. Place the Lever IV)
2012
Acrylic, watercolor, color pencil, graphite on paper
11 x 14 7/8 inchesShown at David Castillo Gallery.
-
Untitled (We want to live, a long life), 2017
Untitled (We want to live, a long life), 2017
Solvent transfer, graphite, colored pencil, enamel paint, acrylic paint, and collage on paper.
Paper size : 30 x 22 inches
Frame size : 35 ½ x 27 ¼ x 2 ¼ inches -
Untitled (Place marked with an impulse, found to be held within the fold) ii
Untitled (Place marked with an impulse, found to be held within the fold) ii, 2017
Xerography, acrylic paint, graphite, ink, enamel paint, and collage on paper. 72 x 48 inches.
-
Untitled (A noticing – Por eso jamás he entrado a […])
Untitled (A noticing – Por eso jamás he entrado a […]), 2019. Color photograph.
-
Untitled(We find moments in the landscape, ripe for replenishment, and in positions conducive to imagine anew)
Untitled(We find moments in the landscape, ripe for replenishment, and in positions conducive to imagine anew)
Installation of photographs, prints, drawings, and wallpainting.
2019
Untitled (We find moments in the landscape, ripe for replenishment, and in
Untitled (We find moments in the landscape, ripe for replenishment, and in positions conducive to imagine anew)
Installation of photographs, prints, drawings, and wallpainting.
Installation views at Centro de Arte Contemporáneo Wifredo Lam.
positions conducive to imagine anew)
Installation of photographs, prints, drawings, and wallpainting.
Installation views at Centro de Arte Contemporáneo Wifredo Lam.
-
Untitled (Affirmation held by a perceived and familiar mark)
Untitled (Affirmation held by a perceived and familiar mark)
15 x 11.125 inches
38.1 x 28.26 cmGraphite, acrylic, enamel paint, ink and solvent transfer on paper.2019
-
Works for Coffee, Rhum, Sugar, and Gold at MoAD
Untitled(Place marked with an impulse, found to be held within the fold) iv
2019
Ink, graphite, collage, acrylic, enamel paint and xerography on paper
71 x 48 inches
Untitled (Presence in this place is contingent on forms; Sugarcane)i
2019
Solvent transfer, graphite, ink, and acrylic on paper. 30 x 22.25 inches
Untitled (blck-Devoted to the cause and improvement), 2018
Digital color video, with sound. 12:05 mins.
Installation view at CAAM.
Untitled(stoic derivation and decolonial)
2019
Wall painting
Exhibition title: Coffee, Rhum, Sugar and Gold: A Postcolonial Paradox
Venue(s): Museum of the African Diaspora, San Francisco
Dates of loan: March 15, 2019 –June 27th , 2021 (If traveling)
Dates of exhibition: May 8 th – August 11 th , 2019
Museum of the African Diaspora
685 Mission St.
San Francisco, CA 94105
Credit line :
Coffee, Rhum, Sugar and Gold: A Postcolonial Paradox is an exhibition curated by Dexter
Wimberly and Larry Ossei-Mensah; organized by Museum of the African Diaspora, San
Francisco.
The exhibition is made possible in part by The Andy Warhol Foundation for the Visual Arts.
