Author: adler

  • Untitled (ponce de leon and benjamin moore ambled towards a diurnal heptad)

    IMG_7843-IMG_7844_fused by c_cinq

    Untitled (ponce de leon and benjamin moore ambled towards a diurnal heptad)
    Acrylic paint on wall and framed archival pigment prints.
    2013
    Image of installation at he Museum of Art Fort Lauderdale.

    Update. Installation shot by Daniel Portnoy.
    AG2013-Untitled_poncedeleonandbenjaminmooreambledtowardsadiurnalheptad

  • Scenes from a verdant place

    ag-scenesfromaverdantplace-cover

    The cover.  Below are some selected spreads.

    ag-scenesfromaverdantplace-02112013c-p1

    ag-scenesfromaverdantplace-02112013c-p4-5

    ag-scenesfromaverdantplace-02112013c-p6-7

    ag-scenesfromaverdantplace-02112013c-p12-13

    ag-scenesfromaverdantplace-02112013c-p20-21

    Available at [Name] Publications and finer bookstores.

  • untitled – ponce de leon

    ag_untitledpalermoandponcedeleon2013
    untitled(palermo and poncedeleon) 2006/2013

    ag_untitledcataloniaandponcedeleon2013
    untitled(catalonia and poncedeleon) 2006/2013

    shown in SFCC Exhibition 2013, MoAFL.

  • untitled-sidewalk bird and ponce

    ag_untitledsidewalkbirdandponce2013

    shown in SFCC Exhibition 2013, MoAFL.

  • untitled

    untitled

    for Miami’s Independent Thinkers.

  • Untitled(study of threefourone)

    ag2004_untitledstudyofthreefourone-photos

    ag2004_untitledstudyofthreefourone-videostills

    Untitled study of threefourone from gnu_mia on Vimeo.

    AG2004_untitled_studyofthreefourone

    Untitled (study of threefourone), 2004
    photo and video installation.
    originally shown at Locust Projects(on 23rd St.)

    In the project room: ADLER GUERRIER

    January 24th-February 28th, 2004

    Opening reception: Saturday, January 24th @ 8 pm

    In the main space: LOCUST PROJECTS presents the work of five young sculptors from Los Angeles: Jedeadiah Caesar, Mauricio Espinosa, Alice Konitz, Jeff Reed, and John Williams. All transplants from different parts of the country, they have literally run to the hills of Southern California. But their actual displacement to an edge of the country is only a metaphor for their displacement to some strange regions of the imagination. They all produce hybrid objects that marry materials and forms that come from incompatible realms. Biomorphic abstraction meets adolescent car culture meets the tackiness of suburban interiors in a strange sculpture that is as much about the embarrassment of public hard-ons as about anything else (John Williams); an ancient boulder is scientifically split to reveal the resin-encased knickknacks of indeterminate origin (Jed Caesar); taqueria architecture meets the loftiest aims of modernist design, negotiating a truce between earnestness and parody (alice konitz), car alarms morph into Aphex Twin beats (Mauricio Espinosa); Texas trashiness and death metal angst ooze out of what seem like the props for some b-movie on futuristic cavemen (Jeff Reed).

    In the project room: Miami-based, Haitian-American artist Adler Guerrier will present a new video. Known for his explorations of the non-places–backyards, the shady spot under a tree, bike trails–that are somehow so central to our everyday lives, Guerrier continues along these lines, unfolding his quiet critique of the colonization of our quotidian.

  • a lever and a place

    various works grouped as part of a proposal.