From Within and Without: The History of Haitian Photography at NSU-MoAFL. Installation images via the musuem.
Author: adler
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early flaneur, 1999(?)
1999(?) -
Untitled(Here, Place the Lever) 2015
Untitled(Here, Place the Lever) 2015
Graphite, acrylic and solvent transfer on paper
11 by 15 inches. -
Works shown by Marisa Newman Projects at VOLTA NY.
Untitled(Tigertail and Aviation) 2015
Pigment print on vinyl.
108 by 93 inches
Untitled(Cape Honeysuckle on Hardee) 2015
Chromogenic print
18 by 24 inches
Untitled (Bill Sadowski Preserve) 2011-2015
Chromogenic print
17 by 24 inches
Here Marks, Envelops and Preserves, 2015
Polyester plate lithograph with silkscreen on paper
Triptych, 11 x 15 inches each
Edition of 50 + 2 AP + 1 PP
Signed & numbered
Edition printed by Turn-Based Press -
Here marks, envelops and preserves, 2015
Here Marks, Envelops and Preserves, 2015
Polyester plate lithograph with silkscreen on paper
Triptych, 11 x 15 inches each
Edition of 50 + 2 AP + 1 PP
Signed & numbered
Edition printed by Turn-Based Press -
Untitled(tigertail and aviation) 2014-2015
Untitled(Tigertail and Aviation) for a wall print. -
Untitled(blck revolution means justice for all)/Lever
Untitled(blck revolution means justice for all)/Lever, 2015
Wood, MDF, oil-based wood stain, steel and enamel paint.
i 
Untitled(blck revolution means justice for all)/Lever, 2015Call for justice and equity has always been revolutionary.
Call for revolution, at times, is conflated with call for justice.
Space for revolutionary calls and its discourse is not marginal and has ontological implications.
Within the penumbra of a call lies open, libre/free commons shaped by ethics and aesthetics.
An Archimedean lever also maneuvers towards autonomy.
New image.
