Divola

R01F30, 1996-97
Archival digital black & white pigment print
34 x 24 inches, 64 x 44 inches
galleryluisotti.com
installation view at Los Angeles County Museum of Art, 2013 via mousse.

John Divola, “As Far as I Could Get” “As Far As I Could Get” is the first over-arching presentation of Divola’s work and is a collaborative project led by the Santa Barbara Museum of Art (SBMA), shown simultaneously at SBMA, the Los Angeles County Museum of Art (LACMA), and the Pomona College Museum of Art (PCMA) in the fall of 2013.

R03F03, 1996-97
Archival digital black & white pigment print
34 x 24 inches, 64 x 44 inches
R02F03, 1996-97
Archival digital black & white pigment print
34 x 24 inches, 64 x 44 inches
R02F33, 1996-97
Archival digital black & white pigment print
34 x 24 inches, 64 x 44 inches
installation view John Divola: As Far As I Could Get, 2013
officebaroque.com
installation view John Divola: As Far As I Could Get, 2013
officebaroque.com

February 2020, edition of 800, hardcover, 20x24cm, 80 pages
Designed by Federico Carpani. Text/Interview by David Campany (essay, 2006).

via skinnerboox.

Divola’s website.

Los Miamis mutables.

Legna Rodriguez Iglesias wrote about Miami, a view of its connection to the Caribbean, in relation to thought, literature, and art, and a productive use of IG. Text is publised in Rialta.

ESTOY USANDO, POR CIERTO, LA OBRA DE UN ARTISTA, COMO APOYATURA PARA SUBRAYAR, ADEMÁS, LO QUE YA OTROS HAN DEMOSTRADO: QUE UNA POÉTICA DEL CARIBE SE PODRÍA REDEFINIR DESDE LA POÉTICA DE MIAMI. UN CARIBE MÁS REDONDO, MÁS EXPLOSIVO, MÁS COMPLETO Y POR TANTO, MÁS MEJOR.

Legna Rodríguez Iglesias
Untitled (Soundings of a cultivated landscape, cocorico) ii
2017-2019. Installation of color photographs.

It is a great honor to be included and to find kinship in fellow artist.