Walter Rodney’s ‘Groundings’

Via Verso, On Walter Rodney‘s concept and practice of ‘Grounding’ as Critical Pedagogy by Kevin Okoth.

“A collection of public lectures held by Rodney in Jamaica and at the Congress of Black Writers in Montréal, Groundings provides a pedagogical framework for intellectuals fighting to undo the epistemological distortions of imperialism.”

“To truly ‘ground’, Rodney believed that the revolutionary intellectual must go anywhere to reason with their people. […] ‘I was prepared to go anywhere that any group of black people were prepared to sit down and listen’, he writes. ‘It might be in a sports club, it might be in a school-room, it might be in a church, it might be in a gully […] – ‘dark dismal places with a black population who have had to seek refuge there. You will have to go there if you want to talk to them.’ […] For Rodney, the revolutionary Black intellectual cannot hide in the university and challenge the status-quo within the boundaries of academic respectability. These intellectuals, he argued, do not pose a threat to the neo-colonial elites; only when these same intellectuals break out of academic isolation and engage in the mutual exchange of knowledge with those struggling on the ground, do they begin to challenge oppressive and exploitative systems of power.”

Hyperallergic reviews Coffee, Rhum, Sugar & Gold

Zoe Samudzi‘s A Caribbean Present Steeped in a Colonial Past reviewed Coffee, Rhum, Sugar & Gold: A Postcolonial Paradox for Hyperallergic. The show curated by Larry Ossei-Mensah and Dexter Wimberly , currently, at the Museum of the African Diaspora, through August 11, 2019.

The emergent themes of the show can be broadly cast into three categories (though none of the artists fit singularly into any one): corporeality (interpretations of politics around the body), place (examinations of place, space, and time), and religion and spirituality.

Adler Guerrier, “Untitled (Place marked with an impulse, found to be held within the fold) iv” (2019), Ink, graphite, collage, acrylic, enamel paint and xerography on paper (Courtesy of the artist and David Castillo Gallery)