On the necessity of gardening: an abc of art, botany and cultivation

On the necessity of gardening: an abc of art, botany and cultivation, Editor: Laurie Cluitmans
Contributors: Maria Barnas, Jonny Bruce, Laurie Cluitmans, Thiëmo Heilbron, Liesbeth M. Helmus, Erik A. de Jong, René de Kam, Alhena Katsof, Jamaica Kincaid, Bart Rutten, Catriona Sandilands, Patricia de Vries. Design: Bart de Baets

On the Necessity of Gardening appears simultaneous with the exhibition The botanical revolution, on the necessity of art and gardening that will be on view from 11 September 2021 to 9 January 2022 in the Centraal Museum in Utrecht (NL). The publication is categorically not an exhibition catalogue, but is positioned as an autonomous project. Both the exhibition and publication stem from a longer-term research by Laurie Cluitmans into the development of the cultural-historical, philosophical and social significance of the garden in relation to our current way of life. valiz.nl

Henk Wildschut, Rooted, Zaatari Camp, Jordan-April-2018. Henk Wildschut photographed the improvised gardens of people who have lost their homes and ended up in refugee camps.
KJM in botanical revolution

The garden as a place of hope and resilience


Parallel to the exhibition in the Centraal Museum, the exhibition Is it possible to be a revolutionary and like flowers? can be seen in Nest art space in The Hague.

Staying South by Logan Lockner

Art in America, November 17, 2021 10:53am.

Lockner’s article surveys a sample of artists based in the American South, Coulter Fussell, Katz Tepper, and Adler Guerrier.

This series of overlapping, sometimes contradictory impressions is perhaps best conveyed by Guerrier’s use of techniques such as solvent transfer and collage in works on paper that create ghostly, overlapping black-and-white images of both natural and urban landscapes, often punctuated by cascading geometric shapes or intricate compositions. These works temper representation with more opaque visual poetics, creating images of a place that feel both familiar and far away. 

Rebecca Solnit – Orwell’s Roses

To read, via nyer https://www.newyorker.com/culture/q-and-a/rebecca-solnit-on-the-politics-of-pleasure

…a natural history of gardening, a dissection of the rose as capitalist metaphor, or a defense of art and beauty as a bulwark against the annihilating forces of totalitarianism.
…pleasure as a form of resistance

roses–they became a symbol for the whole contemporary world.

Part of living in the contemporary world is knowing the conditions under which [ANYTHING & EVERYTHING]…are produced

…suggesting that meaning is inherent in materials, if you pay attention to them, and meaning is also inherent in the process of making.

Feminist City, Leslie Kern

On creating the non-sexist city. Kern’s article in the Guardian.

society’s historical and ongoing ideas about the proper gender roles for men and women (organised along a narrow binary) are built right into our cities – and they still matter. They matter to me as a mother. They matter to me as a busy professor who often finds herself in strange cities, wondering if it’s OK to pop into the neighbourhood pub alone. Ask any woman who’s tried to bring a pram on to a bus, breastfeed in a park, or go for a jog at night. She intuitively understands the message the city sends her: this place is not for you.

Yet the city can be a place of great freedom. The anonymity of urban life breeds possibilities easily stifled in a claustrophobic small town or suburban enclave. Education, work, pleasure, politics: the city broadens our horizons and gives us choices our foremothers never had. Despite its hostilities, it remains our best hope for radical change.

Book by Verso.

Art Monsters: On Beauty and Excess

“Chatto & Windus has acquired an “explosive” non-fiction book, dubbed part cultural history, part feminist manifesto and part memoir, from The Wylie Agency.

Clara Farmer, publishing director at Chatto & Windus, has acquired, on proposal, world all-language rights to Art Monsters: On Beauty and Excess by Lauren Elkin, from Alba Ziegler- Bailey at The Wylie Agency. 

Art Monsters is an explosive reflection on the lives of creative women and the necessity of transgression. In the old days an ‘art monster’ was a man attended to by an ‘angel in the house’ so that he could concentrate solely on artistic concerns. But what happens when the angel is also an art monster herself – how do these women occupy both roles, fearlessly?” said the publisher. “Lauren Elkin’s riveting new book looks at women in culture – in art, literature, music and fashion – and how so often they are found wanting, either for failing to live up to impossible expectations, or for exceeding them so radically that they become ‘too much’. But this monstrousness can create its own power. From riot grrrl to Pussy Riot, from Louise Bourgeois to Audre Lorde, Art Monsters is a celebration of women making art that aims to provoke, that delights in all that is crass, grotesque, too big and too loud.”

Full manuscript to be delivered early 2020. US rights have been sold to FSG; German and Korean deals have also been secured. ” via thebookseller.

Susan Sontag. #art-monsters