Staying South by Logan Lockner

Art in America, November 17, 2021 10:53am.

Lockner’s article surveys a sample of artists based in the American South, Coulter Fussell, Katz Tepper, and Adler Guerrier.

This series of overlapping, sometimes contradictory impressions is perhaps best conveyed by Guerrier’s use of techniques such as solvent transfer and collage in works on paper that create ghostly, overlapping black-and-white images of both natural and urban landscapes, often punctuated by cascading geometric shapes or intricate compositions. These works temper representation with more opaque visual poetics, creating images of a place that feel both familiar and far away. 

Los Miamis mutables.

Legna Rodriguez Iglesias wrote about Miami, a view of its connection to the Caribbean, in relation to thought, literature, and art, and a productive use of IG. Text is publised in Rialta.

ESTOY USANDO, POR CIERTO, LA OBRA DE UN ARTISTA, COMO APOYATURA PARA SUBRAYAR, ADEMÁS, LO QUE YA OTROS HAN DEMOSTRADO: QUE UNA POÉTICA DEL CARIBE SE PODRÍA REDEFINIR DESDE LA POÉTICA DE MIAMI. UN CARIBE MÁS REDONDO, MÁS EXPLOSIVO, MÁS COMPLETO Y POR TANTO, MÁS MEJOR.

Legna Rodríguez Iglesias
Untitled (Soundings of a cultivated landscape, cocorico) ii
2017-2019. Installation of color photographs.

It is a great honor to be included and to find kinship in fellow artist.

[Interview] Uprising-art

Clelia Coussonnet’s interview, during Be.Bop 2013, is online. There are also interviews of Teresa María Díaz Nerio, Jeannette Ehlers, Alanna Lockward, Wagner Carvalho and Barbara Gray.

Pictures of BE.BOP 2013 at BALLHAUS NAUNYNSTRASSE, Berlin By Wagner Carvalho