— Adler Guerrier

Archive
sculpture

ag2015-KBC_untitledblackorangetan_1010871a

ag2015-KBC_untitledblackorangetan_1010875a

ag2015-KBC_untitledblackorangetan_1010878a

ag2015-KBC_untitledblackorangetan_1010876a

ag2015-KBC_untitledblackorangetan_1010872a

ag2015-KBC_untitledblackorangetan_1010870a

ag2015-KBC_untitledblackorangetan_1010873a

ag2015-KBC_untitledblackorangetan_1010877a

untitled(black orange tan) 2013
wood-stain, plywood
11 x 10 x 13.5 inches

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ag2015-KBC_untitledsharinginamarketmediatedaccesseconomy-stadium_1010860a

ag2015-KBC_untitledsharinginamarketmediatedaccesseconomy-stadium_1010866a

ag2015-KBC_untitledsharinginamarketmediatedaccesseconomy-stadium_1010865a

ag2015-KBC_untitledsharinginamarketmediatedaccesseconomy-stadium_1010863a

ag2015-KBC_untitledsharinginamarketmediatedaccesseconomy-stadium_1010859a

ag2015-KBC_untitledsharinginamarketmediatedaccesseconomy-stadium_1010864a

ag2015-KBC_untitledsharinginamarketmediatedaccesseconomy-stadium_1010858a

untitled(sharing in a market-mediated access economy-stadium)
2015
enamel paint, chipboard, wire, wood and coroplast.
15 x 11 x 11 inches

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ag2015-KBC_untitledgnomonwithalateralpenchant_1010808a

ag2015-KBC_untitledgnomonwithalateralpenchant_1010810a

ag2015-KBC_untitledgnomonwithalateralpenchant_1010811a

ag2015-KBC_untitledgnomonwithalateralpenchant_1010813a

ag2015-KBC_untitledgnomonwithalateralpenchant_1010814a

ag2015-KBC_untitledgnomonwithalateralpenchant_1010807a

ag2015-KBC_untitledgnomonwithalateralpenchant_1010809a

ag2015-KBC_untitledgnomonwithalateralpenchant_1010806a

ag2015-KBC_untitledgnomonwithalateralpenchant_1010812a

AG2015-1010810

Untitled (Gnomon with a lateral penchant)
2015
Graphite, enamel paint, steel, reclaimed wood and plywood
11 x 10 x 13.5 inches

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The Devil is in the Details – Curated by Jesus Fuenmayor at KaBe Contemporary
September 17 – November 20, 2015
Iván Argote, Arocha + Schraenen, Lothar Baumgarten, Matthew Buckingham, Elena Damiani, Adler Guerrier, Jorge Pedro Núñez, Edgar Orlaineta, Laercio Redondo, Matheus Rocha Pitta, Sergio Vega.

AG2013-Untitled(black orange rhombus)1010574
untitled(black orange rhombus) 2013
wood-stain, glass, plywood

AG2013-Untitled(black orange tan)1010559
untitled(black orange tan) 2013
wood-stain, plywood

AG2015-Untitled(sharing in a market-mediated access economy-stadium)1010553
untitled(sharing in a market-mediated access economy-stadium) 2015
enamel paint, chipboard, wire, wood and coroplast.

AG2015-Untitled(Versus)1010593
untitled(versus) 2015
enamel paint, wood, plexiglass, newspaper, plywood, coroplast

ag2015-KBC_untitledvanga_1010855a
untitled(vanga) 2015
enamel paint, wire, wood and coroplast

ag2015-KBC_untitledgnomonwithalateralpenchant_1010814a
Untitled (Gnomon with a lateral penchant) 2015
Graphite, enamel paint, steel, reclaimed wood and plywood

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AG2015-BLCKRevolutionmeansjusticeii_1000822

AG2015-BLCKRevolutionmeansjusticeii_1000849
Untitled(blck revolution means justice for all)/Lever, 2015
Wood, MDF, oil-based wood stain, steel and enamel paint.

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Document-untitledblckrevolutionmeansjustice-lever.sla-page008hh
Untitled(blck revolution means justice for all)/Lever, 2015

Call for justice and equity has always been revolutionary.

Call for revolution, at times, is conflated with call for justice.

Space for revolutionary calls and its discourse is not marginal and has ontological implications.

Within the penumbra of a call lies open, libre/free commons shaped by ethics and aesthetics.

An Archimedean lever also maneuvers towards autonomy.

New image.

AG2016_1040440

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